A little over a year ago, in November 2016, I decided it was time to find a forever home for my book baby, Stonebearer’s Betrayal, and started looking for either a publisher or an agent. Sounds easy, right? Nope. Lemme explain.
A lot of research goes into selecting the right place to submit a manuscript. Think of it like this – Submitting a manuscript is the same as applying for a job. The company needs to be respectable and be able to provide services to the author that will convert their vision into a marketable product. Because a partnership between author and publisher can last years, both parties need to be comfortable with each other.
Just like a job, the best companies are the hardest to get a foot in the door. Enter months and months of rejection, insecurity, and moving on.
Fast forward to June 2017. At this point, I had searched for several months without many leads. While never easy, I had grown used to the sting of the endless string of “no”. I submitted to local Utah publisher Immortal Works. I knew authors who had worked with them and been happy, they had some of my favorite people on staff, and they attended all the conferences I liked attending. Seemed like a great fit.
Double bonus – my book has immortals in it. Working with a press called Immortal Works seemed like a special kind of karma.
Months go by and I hear nothing. While it’s not unexpected to have to wait, it is uncomfortable, like a splinter. In September I heard back. They wanted to read the whole manuscript. SQUEE! Finally, someone saw potential in my manuscript. A full manuscript request can still result in a rejection, but for the first time in ten months, I dared to hope a little.
More weeks pass and that splinter has grown into a toothpick. I couldn’t go a minute without thinking about it and wondering and hoping. In early November I learn the Senior Acquisitions Editor has recommended my book for acquisition by the company.
SO MUCH SQUEE, I’M GONNA DIE!
Still, there is a chance they come back and say no. If they are already working with similar titles, or the market is saturated, or they feel it’s not a good fit they can reject a project. It’s an understood part of the business. And the uncertainty sucks.
I might as well have a 2×4 strapped to my head at this point. My family has been super supportive of the publishing process and have patiently listened to all my many ups and downs, but there’s a limit to how much they want to hear about the nitty-gritty of querying and submissions. I stop talking endlessly about it. In fact, talking about it might jinx the whole thing.
The void space of waiting for the final yes is surreal. For so long the golden ticket of having a book published was reserved for more awesome, more deserving, and more talented writers. Having the possibility of my “yes” so close, that golden ticket of validation was nearly mine.
At a time like this, you can’t help but start dreaming of the future and what might happen. So many doors open when an author transitions from short story projects to having their own novel. Invitations to book clubs, speaking engagements, signings, and conferences come easier when you have your own book.
Late November, while chilling watching TV with my hubby and after the kids were in bed, the email comes. The notification jumps up on my phone with a fragment of the message. Not enough to know if it’s a yes or a no, but enough to have a micro heart attack.
It’s a yes.
And a contract.
And I’m like –
And now the real work starts to make this book as awesome as possible. Stay tuned for more updates!
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